Screaming Lord Sutch and the Savages

Watson, Sutch, Little, Brown, and Hopkins
Lord Sutch, vocals
b. David Sutch, 10 November 1940, Middlesex;
d. 16 June 1999, London
Carlo Little, drums
b. 17 December 1938, Wembly
d. 6 August 2005, County Durham
Bernie Watson: guitar
Rick Brown: guitar/bass
b. Richard Fenson
Nicky Hopkins: piano
b. London, 24 February 1944
d. Nashville, 6 September 1995
One of the most remarkable figures of British pop music, "Screaming Lord Sutch" combined a love of rock and roll with British eccentricity and a natural proclivity for publicity. Where Johnny Kidd was a pirate, Sutch took an American model: Screaming Jay Hawkins. Hawkins' show included a coffin in which he made his stage entry, items intended to portray him as the product of some voodoo magic, and songs such as "I Put a Spell on You," intended to drive the message home. Sutch used all of this and gave it a British spin that was in part Jack the Ripper and grave robber. His band, the Savages, was a training ground for some remarkable musicians including Ritchie Blackmore (later of Deep Purple), Matthew Fisher (later of Procol Harum), and Nickie Hopkins (a session pianist who played on recordings by the Beatles, the Who, the Rolling Stones, the Kinks, and others).
The band would also add dramatic touches to the show. Long-time Savages drummer, Carlo Little says that for the Jerry Lee Lewis song, "Great Balls of Fire":
We got to do the fire in the middle. So we had a biscuit tin, you know, a foot square biscuit tin filled with paper and petrol And when you took the lid off, the fumes were quite strong and it was always the piano player's job to light that fire and on the first beat of the bar of the guitar solo…. And many a time he put too much petrol in and it would really go up with a six foot flame. And if it was a low ceiling, like with bits of stuff hanging down-sometimes these clubs would have little decoration hanging down, especially if it was near Christmas…, you know, that papier-mache stuff-it would go straight away…. We just carried on. We just pulled it down from the ceiling, stamped on it, poured the watering can on it and carried on. And I suppose the bloke swept it up the next day… So every song had something about it and then we'd end up with the coffin song, or something really gory. (Interview 4 April 2000)
Unfortunately, while Sutch excelled in theatricality, he lacked musical ability and he never had a "hit" record. Nevertheless, he had a solid fan base and musicians knew his band and his material.
 
1961
December. "Till the Following Night" / "Good Golly Miss Molly" [HMV POP 953]
 
1963
1 March. "Jack the Ripper" / "Don't You Just Know It" [Decca F 11598]
September. "I'm a Hog for You" / "Monster in Black Tights" [Decca F 11747]
 
1964
"She's Fallen in Love with a Monster" / "Bye Bye Baby" [Oriole CB 1944]
"Dracula's Daughter" / "Come Back Baby" [Oriole CB 1962]

Early Rock Groups Schedule Beatles in the Works
  5-nov-15