Evening [continued] "Twilight Time" (Ray Thomas with additional music composed by Peter Knight and Redwave)

Recorded 26 October 1967 at Decca Studios, West Hampstead.

Note: This recording (a) continues from "Sun Set" and (b) continues into "Nights in White Satin."

Released 24 November 1967 on Days of Future Passed (Deram SML 707).

The Moody Blues: Ray Thomas (lead vocal & flute), Mike Pinder (keyboards and backing vocals), Graham Edge (drums & recitation), Justin Hayward (guitar and backing vocals), and John Lodge (bass and backing vocals) with members of the London Symphony Orchestra performing as the London Festival Orchestra.

Hugh Mendl (executive producer), Tony Clarke (producer), Peter Knight (music director), and Derek Varnals (engineer).

The Moody Blues. 1967. Days of Future Passed. New York: PolGram Records. [Deram 820 006-2]

Section	Meas.	Description	Text
Intro		Band with piano.	—
Verse		Double-tracked vocal over ensemble.	a
Refrain		As above.	b
Verse		Double-tracked vocal over ensemble.	c
Refrain		As above.	b
Bridge		Voice melody climbs from lower pitch.	d
Refrain		As in refrains above. (wordless first half)	b
Verse		Double-tracked vocal over ensemble.	e
Refrain		As above. Fades as orchestra becomes louder.	b
Coda		Orchestra summarizes and dissipates the beat.

Text
Twilight, time to dream a while, prevails the deeping gloom. As fantasy strides over colorful skies, the port disappearing from view.	a
In twilight time, dream/be with me a while. (2x)	b
A nightingale plays a dark mellow phrase with tones that are so rich and so true. An Arial display by the firefly brigade, dancing to tunes no one knew.	c
Building castles in the air, whispering to the wind, As nature bows down her head, see what tomorrow brings.	d
Back stage to wait while puppets on strings prance in the cool evening air. In a sightless glide, no reason to hide away from the sun's blinding stare.	e

Days of Future Passed	Schedule	"Nights in White Satin"
	01-Apr-2015