Notes and Quotes:
photo: George Harrison with sitar
Harrison: Klaus Voorman had a harmonium in his hourse, which I hadn't played before. I was doodling on it, playing to amuse myself, when 'Within You Without You' started to come. The tune came initially, and then I got the first line ['We were talking']. It came out of what we'd been discussing that evening. (Dowlding 1989: 174)
Martin: Again, George's contribution, "Within You Without You," was, with all deference to George, a rather dreary song, heavily influenced by his obsession with Indian music at that time. I worked very closely with him on the scoring of it, using a string orchestra, and he brought in some firends from the Indian Music Association to play special instruments. I was introduced to the dilruba, and Indian violin, in playing which a lot of sliding techniques are used. This meant that in scoring for that track I had to make the string players play very much like Indian musicians, bending the notes, and with slurs between one note and the next. (1979: 203)
Harrison: The best part of it for me is the instrumental solo in the middle which is in 5/4 time — the first of the strange [Indian] rhythm cycles that I caught onto — 1-2, 1-2-3, 1-2-1-2-3. (Dowlding 1989: 175)
Hindustani Instruments
Tambura: A four, five, or six-stringed long-necked lute. The tambura is a plucked drone and has no fret board (the strings are unstopped). The characteristic "buzzing" sound quality is a result of the rounded bone bridge.
Tabla: A pair of kettle drums (one wooden, the other metal) played with the fingers. The right-hand drum is tuned. The drum's clear pitch is a result of the loaded head which emphasizes selected harmonics. The drummer changes the pitch of the lower drum by manipulating the pressure of his hand on the drumhead.
Dilruba: A long-necked bowed lute with four melody strings and at least eight sympathetic strings. The player "bends" notes by forcing the strings along the raised curved frets.
Surmandal: A board zither with 16 or more parallel strings tuned to the scalar notes of the melody.

Schedule
30 October, 2017