The Small Faces |
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1965 [SM 16-17; RL 17-18] |
June. Lane, Jimmy Winston, and Jones formed the original band in East London, soon adding former child actor Marriott. Marriott had experience on the west side's stages (he appeared in Oliver) and had recorded unsuccessfully with Decca. With Don Arden as their manager, they signed and recorded with Decca. (See Joynson 1995:480-482.) Arden worked regularly with producer, Ian Samwell ("Move It") and convinced him to produce the Small Faces' record at the Decca studios (Twelker and Schmitt 34). |
6 August. "Whatcha Gonna Do about It? [UK #14] / "What's a Matter Baby" [Decca F 12208] released. |
Don Arden: the secret of their success and mine, was a sleazy trick of the trade known as "hyping." Dead easy if you're in the know, and not over-fussy about your methods. I just paid thousands of pounds to "fix" some of the charts supposedly compiled from the sales returns of record shops. I knew for certain sums, any record I was associated with could be elevated to the charts. ... It got to be a habit. I paid out anything from £150 to £500 a week to people who manipulated the charts and who in turn shared the cash with people organizing other charts so again for bills as to ensure they tallied. For instance, if I had a record at No. 18 in one, they would see to it that the same record appeared as either 16 or 17 or thereabouts, in the others. Neat little swindle, wasn't it? Of course, the Small Faces had no idea what went on. (Badman and Rawlings: 19) |
31 October. The Marriott, Lane, and Jones decide that they have had enough of Winston's keyboard playing and stage antics. They have asked Ian McLagen to take over at the keyboards. Winston set out to lead his own band (Jimmy Winston and His Reflections). |
1 November, London. "Mac" McLagen joins the Small Faces |
5. November. "I've Got Mine" / "It's Too Late" [Decca F 12276] released |
26 December. Marriott, Lane, and McLagan move in together at 22 Westmoreland Terrace |
1966 [SM 17-18; RL 18-19] |
14 January. "Sha-La-La-La-Lee" [UK #3] / "Grow Your Own" [Decca F 12317] released. |
. They attract some attention (appearing briefly in a film) and are active in London playing for East London mods in places like the Cavern Club (near Leicester Square). |
6 May. "Hey Girl" [UK #10] / "Almost Grown" [Decca F 12393] released. |
13 May. Small Faces [Decca LK 4790; UK LP #3] released. |
5 August. "All or Nothing" [UK #1] / "Understanding" [Decca F 12470] released. |
11 November. "My Mind's Eye" [UK #4] / "I Can't Dance with You" [Decca F 12500] released. Unfortunately, the version that Decca released was a demo that the Small Faces had supplied to Arden because he wanted to know what progress they had been making. The band decides to leave Arden. |
1967 [SM 18-19; RL 19-20] |
10 February. The Small Faces sign with Andrew Oldham. |
24 February. Marriott, his girlfriend (Chrissie Shrimpton), and her flatmate are arrested and their flats searched. |
3 March. "I Can't Make It" [UK #26] / "Just Passing" [Decca F 12565] released. |
March: The Small Faces leave Decca for Andrew Loog Oldham’s Immediate Records. Decca retaliates by releasing material the band had already recorded, against the Immediate releases. (Compare what happened to the Who when they switched to Reaction Records.) |
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1968 [SM 19-20; RL 20-21] |
January. As he was about to leave on his honeymoon, police arrest Ian McLagan at the airport and charge him with possession of narcotics. |
5 April. "Lazy Sunday" [UK #2] / "Rollin' Over" [Immediate IM064] release. |
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The Official Small Faces Website | A selected site on the Small Faces: Room for Ravers | |||
McLagan Fan Site |
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23-mar-15 |