Notes and Quotes: "Keep on Runnin'"
Taking a ska (part of what was called "blue beat" in England) tune and displacing the off-beat guitar chops to the on-beat and emphasizing a duple rather than triple sub-division of the beat, the SDG captured some of the feel of American soul music. The addition of a fuzz tone to Winwood’s guitar and brother Muff’s pronounced and driving bass pattern (both products of 1965 changes in technology) made this a substantial trans-Atlantic hit.
Muff Winwood (Cunningham 1998: 112): Pete [York] was much more of a jazz drummer than a rock drummer, and he had a smaller kit than most rock drummers.... So by accident, we developed a technique where my bass had a greater role in driving out the rhythm. This allowed Pete to be a little more flowery and inventive with cymbals, rather than being restrained with the bass player doing little lines alongside the guitarist. So it came about for those reasons and I tended to almost strum like a rhythm guitar on a lot of songs, playing eights like a rhythm part, just hitting one string, sometimes two.

Schedule
25 June, 2018