Tin Pan Alley / Pop
The term "Tin Pan Alley" derives from an area that had been in the mid-nineteenth century dominated by tinkers and hardware shops on what would become West 28th Street between Broadway and Sixth Avenue in Manhattan. Music publishers began moving into this area late in the century and, by the mid twentieth century, the area had become firmly associated with the profession of popular music. Songwriters like Carol King and Gerry Goffin, Neil Sedaka, Neil Diamond, and many others had studios (albeit tiny) in places like the Brill Building.
The importance of performance models drawn from the American pop mainstream appears in a number of Beatle works. Indeed, in one interview McCartney indicates that he and Lennon would like to be songwriters like Goffin and King.
They knew the songs of many Phil Spector and other Brill Building composers and performers and their repertoire included many other tunes of this sort. Moreover, as a "bar band" of the era, they performed songs from musicals, as well as novelty tunes.
Song Original Recording Beatles
"Till There Was You" (Willson) Peggy Lee, 1961 McCartney, October 1963
"A Taste of Honey" (Marlow & Scott) Lenny Welch, 1962 McCartney, March 1963
"Yesterday" (Lennon & McCartney)   McCartney, June 1965
"Keep Your Hands off My Baby" (Goffin & King) Little Eva, 1963 Lennon, January 1963

Carole King

Top L-R: Jack Keller, Artie Levine, Lou Adler, Al Nevins, the Kirshners, Emil La Viola, Howard Greenfield, and unidentified.
Bottom L-R: Barry Mann, Cynthia Weil, Gerry Goffin, Carole King and Neil Sedaka

Phil Spector
Lennon and McCartney's Songwriting/Performance Models

Go to
Lennon and McCartney Outline Songwriting
  4-sep-09