Notes and Quotes: "Telstar" |
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The core of this recording
is in modified song form. That is, the principal theme is played
twice, the half length chorus is played twice, followed by a repeat
of the verse. The chorus is half the length of the verse so that,
in effect, the two statements have the effect of two halves of
a whole. Thus, the form of the core is A A B A, where B consists
of two identical halves. |
As we have seen already,
a common way to cap this is to repeat the chorus and verse section.
In this case, Meek and the Tornados have modified the cap. They
play half of the chorus and then chromatically bridge to a verse
in a higher key. |
Indeed, the harmonic and
melodic organization of entire performance gives the feeling of ascent.
The United States had launched the Telstar I communications satellite
the previous month and the United Kingdom had orbited its first satellite,
Ariele, in April. |
Beginning with the introduction — the imitation the
sound of a rocket lifting off and an ascending chromatic line — Meek
employs rising figures. The principal theme features large-intervalled
upward leaps with gentle intervening descents. And the key of the last
verse of the song is attained by a staccato upward modulation from A
to D. |
Drummer, Clem Cattini observes
that the band put much of the music together themselves. |
All we had was
a melody on a tape, with him singing on a backing a track that had
nothing to do with the melody that he was singing. Seriously. The
melody that he was singing had nothing to do with the actual chord
structure that was on the backing track.... (Interview 22 January
2001) |
Like other producers, Meek
helps to maintain the listener's interest by playing with the instrumentation.
Most sections of the performance have something different in the way
the instruments are used from their preceding sections. For example,
the last statement of the verse is doubled by the human voice (probably
that of Heinz Burt). The melody is probably played by Meek's friend
and collaborator, Geoff Goddard on a Clavioline, a small battery-powered
keyboard. Meek achieved other sound effects by putting tacks on the
hammers of the piano and recording it at a slower tape speed. |
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Schedule |
31 January, 2012
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